you can buy rare posters and pictures, SilverClub contracts scans,
special interviews of legendary SilverClub gigs of 2003 / 2004:

DOŁĄCZ DO FB GRUPY O SILVERCLUBIE:

http://www.facebook.com/groups/167718973425775/

Silverclub - Bielsko Biała - Poland

19 VII 2003

REELOOP / KAYLAB

Reeloop / Kaylab, in real life, Oliver Klitzing, always did his own thing. As a dj, he experimented with different music styles but with progressive trance and techno, he found his home. His idols were artists like Kraftwerk, Depeche Mode, Prince, Devo and Human League and these influences were very important for Kaylab.

Nowadays he`s got gigs around Germany every weekend and also international bookings like Cybertrance, and gigs: Japan, Poland, Australia, Netherlands. His impressive dj sets include very harmonical technoide grooves, crazy vocal hooks and sophisticated mellow lines. This claim you can hear also in his own productions, many dj`s call that the "headline style", which is a mix of underground groove with commercial elements, from trance to techno.

You`ll find in Kaylab cases a lot of records from labels like gigolo records, id&t, loop, bush, audio, djax up, ttx, primevil, terminal m, spielzeug, clr, frisbee, zync, confused, primate, music man, compressed and bpitch control. Kaylab mostly spinns productions from artists like dj rush, monika kruse, tiesto, chris liebing, green velvet, daft punk, depeche mode, umek, marco carola, dave clarke, marco v, thomas schumacher, beroshima, ben sims, adam beyer, joey beltram. From his job at different independent companies as an a&r/clubpromoter, he finally found his way into the studio. His innovative and straight productions always show new directions in the techno scene and he decided to found his own label Headline Records in 1999.

At the Headline office you find 2 complete digital Headline Studios, a music edition (klangforschung publishing/roba mv), a label (headline records) and a booking agency (headline booking) included. Check: www.headline-records.com

In sepember 2001, the track "groove electronic - indian requiem" entered the german media contral sales charts at # 84 and was the first chart entry for Headline.

Various important labels from Germany and abroad pay special attention to the Headline tracks and recognize the vibe and potential of these releases. Labels like digidance, byte, id&t, n.e.w.s., lightning (all benelux), otr (uk), independance, airplay (france), avex (japan) and alphabet city, kosmo, tracid traxxx, unsubmissive, edm, zeitgeist, emi, urban, sony (all Germany) have already released Headline productions.With Reeloop - "fucking society" came the final break through for Oliver Klitzing and Headline Records. In cooperation with tracid traxxx (gas), digidance (benelux), airplay (france), bxr (italy), sheer music (southafrica), magic (poland), central station (australia) and vmp (asia) plus various compilation releases worldwide and a massive dj power of all important djs this track grew to a megaburner. In july 2002 Paul van Dyk himself played the track as one of five at the LoveParade, Berlin! The vinyl of "fucking society" was top 5 selling record in Germany in 2002, and sold worldwide more than 17.000 records.

In summer 2002 Headline released, again in cooperation with tracid traxxx, the first Oliver Klitzing - "I like that beat" single. Phatt own remixes (reeloop und kaylab) were completed by an Andreas Kremer rmx . In february 2003 Oliver Klitzing launches his second label, called Minority Records.

In the march 2003 the new Kaylab called "do not attempt" hits the dance floors. Emmanuel top was so enthusiastic about the track, that he is doing the requested rmx.

In april 2003 the remix of Lambda`s `hold on tight", is played once again all over the world and is heading the German dance charts for more than five weeks. Because of this, the record company decides to use this remix as the video-radio edit. Probably the first top 20 chart hit for a Kaylab/Reeloop remix! Also in april Oliver Klitzing releases his first album/mix CD. This collection is called "the very best of 3 years headline" and includes 39 tracks and remixes done by Oliver Klitzing during the last 3 years. In addition to that, Headline Records releases a double vinyl with some new remixes of the most popular productions.

In july Oliver Klitzing will release another mixcompilation called "techtrance", released by alphabet city and distributed by intergroove.

... and the story continues.

OLIVER KLITZING
DJ - PRODUCER - REMIXER - LABELOWNER

PRODUCTION DISCOGRAPHY:

REELOOP	FUCKING SOCIETY IDENTIFICATION IMPORTANT
KAYLAB	DO NOT ATTEMPT PRAY NO POP LA VENTOLINE KYOTO PROTOCOL HERE WE GO TAKE OFF
OLIVER KLITZING	I LIKE THAT BEAT
FUSION 808	TRAVELLER TAKE ON ME
TWISTERS SILENCE	LISTEN TO ME MAMA
CHROMEDIOXIDE II	HARDCORE MOTHER FUCKER CONCIOUS
APPENDIX E	MAN OF GOD
ANALOG SYSTEM	STRANGE MORNING IN DECEMBER STUPID MUSIC WITH MORE MUSCLES THE WALL
SOLO PLASTIC	NO REQUEST WHAT DO YOU WANT ME TO DO
DIABLO & KLITZING	CONTROL
DERLER & KLITZING	DUMB PEOPLE THE FEELING TEACHER NUCLEAR DEVICE
GROOVE ELECTRONIC	INDIAN REQUIEM DRUM REQUIEM THE CATALYST ELECTRONIC DISCUSSION
MIDI 4	VOICES IN AFRICA MISS YOU

REMIX DISCOGRAPHY:

JUNK JARD DOG	RIOT	(SUPERSTAR RECORDINGS)
LAMBDA	HOLD ON TIGHT	(ALPHABET CITY)
EMMANUEL TOP	TURKISH BAZAR	(KOSMO)
COSMIC GATE	HARDCORE	(EMI)
SAFRI DUO	SUNRISE	(UNSUBMISSIVE RECORDS)
MARC ET CLAUDE	HISTORY OF ACID HOUSE	(ALPHABET CITY)
COVERNANT	CALL THE SHIPS	(SONY MUSIC)
DER VERFALL	DER VERFALL	(KA2 MUSIC)
YOJI BIOMEHANIKA	NEVER END	(HELLHOUSE RECORDINGS)
BBE	HOLLYWOOD	(KOSMO)
DAVE JOY	SECOND CHASE	(DRIZZLY)
SNOWMAN	START TO DANCE	(WARNER)
SAT AND LEE	SIGN YOUR NAME	(EMI)
SPYTRAXX	TOUCH YOU	(URBAN)
WARMDUSCHER	HARDCORE WILL NEVER DIE	(TRACID TRAXXX)
DESPERATION	OUR RESERVATION	(BYTE RECORDS)
ESSENTIAL DJ TEAM	ONG DIGGI DONG	(UNSUBMISSIVE RECORDS)
BOSSDRUM	AND THE BEAT IS PUMPING	(SONY MUSIC)

{ may 2003 }
by Yahu Pawul
(based on Headline Records promo materials)

--------------------------

INTERVIEW

... difference between primitive or stupid and inteligent or educated human

is wisdom - means knowledge about present time which turn into the history

every next day and gonne with the wind ...

DJ OLIVER <KAYLAB.REELOOP> KLITZING

an German discjockey

interview for the the book

“ DEEJAYs “

Janek ‘YAHUDEEJ@Y’ Pawul

.....................................................................................................................................................................

Nowadays he’s got gigs around Germany every weekend and also international bookings like Cybertrance, and gigs: Japan, Poland, Australia, Netherlands. His impressive dj sets include very harmonical technoide grooves, crazy vocal hooks and sophisticated mellow lines. This claim you can hear also in his own productions, many dj’s call that the “headline style”, which is a mix of underground groove with commercial elements, from trance to techno.

You’ll find in Kaylab cases a lot of records from labels like gigolo records, id&t, loop, bush, audio, djax up, ttx, primevil, terminal m, spielzeug, clr, frisbee, zync, confused, primate, music man, compressed and bpitch control. Kaylab mostly spinns productions from artists like dj rush, monika kruse, tiesto, chris liebing, green velvet, daft punk, depeche mode, umek, marco carola, dave clarke, marco v, thomas schumacher, beroshima, ben sims, adam beyer, joey beltram. From his job at different independent companies as an a&r/clubpromoter, he finally found his way into the studio. His innovative and straight productions always show new directions in the techno scene and he decided to found his own label Headline Records in 1999.

At the Headline office you find 2 complete digital Headline Studios, a music edition (klangforschung publishing/roba mv), a label (headline records) and a booking agency (headline booking) included.

In sepember 2001, the track „groove electronic – indian requiem“ entered the german media contral sales charts at # 84 and was the first chart entry for Headline.

With Reeloop – “fucking society” came the final break through for Oliver Klitzing and Headline Records. In cooperation with tracid traxxx (gas), digidance (benelux), airplay (france), bxr (italy), sheer music (southafrica), magic (poland), central station (australia) and vmp (asia) plus various compilation releases worldwide and a massive dj power of all important djs this track grew to a megaburner. In july 2002 Paul van Dyk himself played the track as one of five at the LoveParade, Berlin! The vinyl of “fucking society” was top 5 selling record in Germany in 2002, and sold worldwide more than 17.000 records.

In summer 2002 Headline released, again in cooperation with tracid traxxx, the first Oliver Klitzing – “I like that beat” single. Phatt own remixes (reeloop und kaylab) were completed by an Andreas Kremer rmx . In february 2003 Oliver Klitzing launches his second label, called Minority Records.

In the march 2003 the new Kaylab called “do not attempt” hits the dance floors. Emmanuel top was so enthusiastic about the track, that he is doing the requested rmx.

In april 2003 the remix of Lambda’s ‘hold on tight”, is played once again all over the world and is heading the German dance charts for more than five weeks. Because of this, the record company decides to use this remix as the video-radio edit. Probably the first top 20 chart hit for a Kaylab/Reeloop remix! Also in april Oliver Klitzing releases his first album/mix CD. This collection is called “the very best of 3 years headline” and includes 39 tracks and remixes done by Oliver Klitzing during the last 3 years. In addition to that, Headline Records releases a double vinyl with some new remixes of the most popular productions.

In july Oliver Klitzing will release another mixcompilation called “techtrance”, released by alphabet city and distributed by intergroove. ... and the story continues.

OLIVER KLITZING

DJ – PRODUCER – REMIXER – LABELOWNER

PRODUCTION DISCOGRAPHY:

REELOOP FUCKING SOCIETY

IDENTIFICATION

IMPORTANT

KAYLAB DO NOT ATTEMPT

PRAY NO POP

LA VENTOLINE

KYOTO PROTOCOL

HERE WE GO

TAKE OFF

OLIVER KLITZING I LIKE THAT BEAT

FUSION 808 TRAVELLER

TAKE ON ME

TWISTERS SILENCE LISTEN TO ME MAMA

CHROMEDIOXIDE II HARDCORE MOTHER FUCKER

CONCIOUS

APPENDIX E MAN OF GOD

ANALOG SYSTEM STRANGE MORNING IN DECEMBER

STUPID

MUSIC WITH MORE MUSC

THE WALL

SOLO PLASTIC NO REQUEST

WHAT DO YOU WANT ME TO DO

DIABLO & KLITZING CONTROL

DERLER & KLITZING DUMB PEOPLE

THE FEELING

TEACHER

NUCLEAR DEVICE

GROOVE ELECTRONIC INDIAN REQUIEM

DRUM REQUIEM

THE CATALYST

ELECTRONIC DISCUSSION

MIDI 4 VOICES IN AFRICA

MISS YOU

REMIX DISCOGRAPHY:

JUNK JARD DOG RIOT (SUPERSTAR RECORDINGS)

LAMBDA HOLD ON TIGHT (ALPHABET CITY)

EMMANUEL TOP TURKISH BAZAR (KOSMO)

COSMIC GATE HARDCORE (EMI)

SAFRI DUO SUNRISE (UNSUBMISSIVE RECORDS)

MARC ET CLAUDE HISTORY OF ACID HOUSE (ALPHABET CITY)

COVERNANT CALL THE SHIPS (SONY MUSIC)

DER VERFALL DER VERFALL (KA2 MUSIC)

YOJI BIOMEHANIKA NEVER END (HELLHOUSE RECORDINGS)

BBE HOLLYWOOD (KOSMO)

DAVE JOY SECOND CHASE (DRIZZLY)

SNOWMAN START TO DANCE (WARNER)

SAT AND LEE SIGN YOUR NAME (EMI)

SPYTRAXX TOUCH YOU (URBAN)

WARMDUSCHER HARDCORE WILL NEVER DIE (TRACID TRAXXX)

DESPERATION OUR RESERVATION (BYTE RECORDS)

ESSENTIAL DJ TEAM ONG DIGGI DONG (UNSUBMISSIVE RECORDS)

BOSSDRUM AND THE BEAT IS PUMPING (SONY MUSIC)

........................................................................

Y@HU - when did you decide to become a disc jockey

- when and where did it really start

- how long have you been a deejay ?

RELOOP / KAYLAB – I started with highschool-parties at the end of the 70ies. At that time i was sitting in front of the radio nearly every evening and tried to record as many of my favorite tracks as possible. Then I went to the local record shop and tried to buy these tracks on vinyl. After a while I had collected a few hundred 5 and 12 inch singles and wanted to play these tracks to the audience. I think I organized the first party at the age of 13 in 1979 , with about 200 or 300 people. I did that for a few years and in 1985 (I was 19) I had the first resident club. I played 5 times a week for a few “german marks”. In 2003 it’s my 23^rd year beeing dj

YOUR MEMORIES

Y@HU - Tell me something (as much as possible) about the deejays you know / you've met in your career ?

RELOOP / KAYLAB -
Well, I met a lot during the years. I don’t want to mention any names. There are a few, which I have a real good contact wit

ACCESS TO VERY RARE / UNIQUE / VALUABLE INFORMATIONS, ETC. !! - - - >> :-)))))))

Continuing this theme / topic + all much, much in my book: Deejays.

see details here: http://deejays-dj.blogspot.com/

//////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////

DOSTĘP DO UNIKALNYCH, RZADKICH I BARDZO WARTOŚCIOWYCH INFORMACJI, ETC. - - - >> :-))))))))

Kontynuacja tego tematu / cały temat + dużo, dużo więcej w mojej książce: DEEJAYs.

zobacz szczegóły tu: http://deejays-dj.blogspot.com/

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Będę to jednak sprawdzał przed publikacją dlatego, że normalni ludzie bedą wspominać, a pojeby bedą ziać jadem, ubliżać, bluzgać (jak to w polskim internecie:-))) - tak mają Polacy i ja to wiem, a zatem śpię spokojnie i nie odpowiadam na zaczepki maluczkich nieudaczników - np. tu - FB profilu na którym opublikowano informację o moim blogu historycznym -Ku Pamięci SilverClubu- : http://www.facebook.com/Bielsko

REELOOP / KAYLAB